I remember a few years ago, when I was living in Vancouver, Shakey Graves came to town and it sold out before I could get a ticket and I was super devasted. But here we are, three years later and he's playing at The Palace Theatre in Calgary. I knew not to make the same mistake twice and bought tickets right away - sure enough this show sold out too.
I could not believe how intense the Shakey Graves fans were at this show. There was a girl behind me with the shrilled, highest voice, who screamed almost the entire show. The whole audience just went wild for him - even the guys. It made for a pretty fun show with everyone clapping, stomping, and jumping but I was just expecting something a bit more mellow and was totally surprised.
He opened with a full band playing Perfect Parts followed by Dearly Departed. After a few with the band he played some solo songs. I must say Shakey Graves is a great performer with great stage presence and banter. He knows how to get the audience engaged and played a well thought out setlist without too many slow songs in a row. My favourite moments of the show were "Family & Genus" and "Roll the Bones". Only complaint would be the vocals were not very sharp, and you couldn't hear his lyrics very well, but oh well i guess you can't have it all.
Folk Fest is the most wonderful time of the year! I cannot think of anything better than spending the weekend outside in Calgary's most beautiful park listening to talented musicians from all around the world. Thursday night was Ceour de Pirate and Jason Collett. Ceour de Pirate played the Mainstage and of course it was full of "tarpies" so we watched from pretty far back. Beatrice sounded fantastic though. She has a very beautiful unique voice and is a masterful piano player. She is from Montreal and most of her songs are in French which I think makes them sound even more beautiful. She seemed really laid back and comfortable on the huge stage and had some of the coolest, well-timed with the percussion, dance moves I've ever seen (when she wasn't playing piano). She played my favourite song "Place de la Republic" so I was very happy.
Next was Jason Collett from Toronto on Stage 4. I'd heard a few of his songs but was not super familiar with his work and went into this show not really knowing what to expect. As usual, everyone was chillin in the grass on their blankets when he started, but by the end he had the entire crowd on their feet dancing. It was super entertaining with a lot of funny songs and hilarious "old man" dance moves. He definitely didn't take himself too seriously and actually reminded me a lot of Joel Plaskett. My favourite songs were "I wanna rob a bank" and "My daddy was a rock n' roller". It was a great way to end a Thursday night.
Saturday I biked down to the grounds at 9am - half an hour before the gate opens - to get my blanket down in a good spot at the Main Stage. Even at this hour there were hundred in front of me in line and I only got about in the middle of the field. The die-hard "Tarpies" always amaze me with their dedication. I returned after breakfast with my boyfriend and the first show we caught was a workshop called "Global Getdown" that included The East Pointers (an Irish fiddle type band from PEI), The Dustbowl Revival (an american group with old-timey big band sound), a drumming group from Haiti, and a funky rap duo. This was an amazing workshop with lots of variety. The Dustbowl Revival were really fun and we especially loved the horn section they had so we decided to check out their solo set later where they drew in a huge crowd and had lots of people dancing.
Next we went over to the beer garden stage for some cold beer (it was about 30 degrees) and to see the incredible Dione Taylor and the Back Sliders. She's a Canadian blues/soul artist with a wicked voice and her backing band was tight. They put on a really amazing show.
Next we went to the shaded tent stage (a popular place because of the heat) and caught the end of Sean Rowe's set. We saw him open a show a few years ago and I love his deep baritone voice. After his set he played in a workshop along with Lucy Dacus (!!!), Bling Boy Paxton, and Birds of Chicago. As the crowd thinned between sets we were able to snag a spot at the very front and it turned out we were sitting right where Lucy Dacus would be standing. If you remember my post at the end of 2016, her album No Burden was my favourite album of the year. She is from Richmond Virginia and I could not believe my luck that she was playing at the Calgary Folk Fest! This workshop was the highlight of the entire day - and not just because Lucy Dacus was in it (although that's a big part). The Birds of Chicago were incredibly talented musicians and the lead singer also played Clarinet which she would add to other artists songs in the workshop. Also Bling Boy Paxton was a talented (an hilarious) American blues artist. All of the artists had great songs and when they would join in on other artist's songs it was like watching a ten piece band. The best moment was when Lucy Dacus covered "La Vie en Rose" and Paxton came in with some bone-like percussive instrument and it was just so magical I didn't want the song to end - or the workshop!
We saw another great workshop after this that included 100 Mile House, Darlingside, The Ballroom Thieves, and Lindi Ortega. Unfortunately these artists didn't really collaborate much with each other but simply each took turns playing songs. Darlingside were really good - i liked how they all huddled around a single retro microphone like how they would have recorded music many decades ago, but The Ballroom Thieves from Boston, stole the show for me. They had this woman who played cello and had a voice that sounded way larger than her little body - it was amazing. I also really enjoyed all the songs I heard and so i made a mental note to check out their solo set on Sunday which was really great.
We caught a bit of Nashville's Langhorne Slim before heading to an air conditioned restaurant for dinner and a short nap by the review. When we returned we headed to the Main Stage for Winnipeg's John K. Sampson and the Winter Wheat. He mostly played songs from his recent release Winter Wheat and a few Weakerthan songs. He's a great song writer with a bit of a nasal-y voice but it just works. The highlights for me were "Post Doc Blues", "17th Street Treatment Center", and of Course "One Great City". My boyfriend's not a huge fan and had a really great nap on the blanket during this set haha.
After this we headed over to Stage 4 to see BadBadNotGood. They are a four-piece jazz group (drums, sax, bass, keyboard) from Toronto and have collaborated with big names like Kendrick Lamar and Future Islands. I own their record IV which is phenomenal and so I was pretty excited for this show but what transpired was waaaay better than I even expected. Yes it's jazz but it's also so much more. It was loud and epic and it hits you like a freight train. Being able to watch each musician play their respective instruments so expertly was incredible. The songs from IV were taken to a whole new level live. They also had the audience clapping and waving their arms together for a neat effect. I couldn't wait to go listen to IV again when I got home.
Finally, the Saturday night headline on the main stage - Barenaked Ladies. I was surprised by how many of their songs I actually knew. It was pretty much hit after hit and they had the entire field of people get up off their tarps and blankets and dance.Everyone lost it when they played "One Week".They were a lot of fun and ended their show with a mashup of every popular song at the moment that began with the Game of Thrones theme song which was a pretty cool way to end it all.
Saturday was 14 hours of good music and sunshine. Needless to say, I was exhausted by the end of it but couldn't wait to do it again in the morning.
Is there any other way to start Sunday morning Folk Fest than with a Gospel workshop? This workshop was called "Lay Your Burden Down" and included the 4 McCarty Sister gospel singers, the blues musician Blind Boy Paxton, Soul Singer Dione Taylor, and the blues-y Reverend Robert Jones. The collaborations in this session were fantastic and they had the whole audience smiling and dancing.
Next, we caught an all female workshop that included Lucy Dacus, Helena Deland, Carsie Blanton, and Terra Lightfoot. I didn't really know the other artists except for Lucy Dacus but was impressed by them all. My friend and I layed back on our blanket in the sunshine and it felt like we were on a beach listening to beautiful sounds.
Lucy Dacus was scheduled to be at the autograph tent at 1pm so I went and bought her No Burden record for her to sign and ran into her at the merch tent checking out the other artists merch. I was so friggin nervous and star struck but she was super chill and nice. I gushed (probably too much) about how much I love the record and her voice and her songs and that I love cranking in my car and she signed my record and said how this has been the best music festival she's ever been to.
We then grabbed some food and went to a big workshop on the Festival's smallest stage. There was Goldtop from Edmonton, Thee Holy Brothers, The Bones of J.R. Jones, and Sargeant & Comrade. My favourite group from this session was Sargeant & Comrade who were a reggae-ish duo with an amazing singer and a DJ. I found out after that they are from Calgary so I will definitely try and catch one of their shows in the future.
We went to the Beer Garden Stage to see more of the East Pointers because I can never get enough of that East Coast/Irish Fiddle. Then, after seeing The Ballroom Thieves' set we went to get a good spot over at the small Stage 1 for Lucy Dacus's set.
Although I'd seen her take part in a few workshops over the weekend this was the first time seeing her with her full band and it rocked. Every song sounded so so soooo good. She even played a couple of new songs and they were awesome.She is just so down-to-earth, honest, and REAL. My favourites were "Strange Torpedo" and "Map on a Wall" I cannot wait until her next album comes out which she says will probably be in the Spring. I had to leave after this set to meet up with some friends who were in town so I didn't see any of the Sunday main stage stuff but honestly, there could not have been a better way to end the weekend than with Lucy Dacus and her band melting my heart.
Saw Feist in Saskatoon at the end of June, but the summer has been so busy so only now do I have time to sit down and write about this show. Yes, I drove 7 hours to Saskatoon to see Feist after the release of her fantastic album Pleasure. My best friend, also a huge Feist fan, drove from Edmonton for the show as well. After listening to Pleasure, which I now consider her best record yet, I just could not miss the opportunity to see her live. She played on a outdoor stage in a beautiful garden facing a historic castle-like building. She came on stage wearing a bright pink dress the colour of the flower wall on the album cover and opened with the title track from the new album - "Pleasure". I was quickly taken with how beautiful her voice is live and as the show went on I found myself more and more in awe of what a talented musician she is. She played almost every song from Pleasure except of course my favourite one "Baby Be Simple" but maybe it's too quiet/intimate a song for this type of show. The best song live from the new album was probably "Any Party" where she had the whole audience swaying, singing, and falling in love. She played a couple songs from Metals including "The Bad In Each Other" which is just a fantastic song and was a great moment. Her stage banter was charming and sweet but she could sure rock out on that guitar. I really wasn't expecting to hear any songs from The Reminder which was one of my favourite albums back in Junior High because I heard she prefers to play new stuff but I was pleasantly surprised to hear all my favourites from this record! "Sealion" was an absolute power house song live and was probably my favourite moment of the entire show. She also played "My Moon My Man" which is my all time favourite Feist song, "I feel it all", and a stripped down version of "1234" and even "Mushaboom" and "Let it Die" from Let it Die. What a wonderful show. Totally worth the seven hour drive. I am more in love with Feist than ever before.
